Glee Recap: Who Needs A New Rachel?


Editor

They’re holding auditions in the McKinley auditorium and the club that once accepted everyone has become a lot more selective. Out of the long list of people who signed up to audition, somehow only one person was good enough for the club: Marley. Before that, we see auditions from Stoner Brett (who definitely should have made it in) and Jake a.k.a. The New Puck. His audition is good, but, when Schue cuts him off mid-song, he kicks over a music stand and ruins his chance at getting in. Because former male lead Finn Hudson had such a great relationship chairs in past seasons? His temper causes Mr. Schue to look into his files to find out that he’s…wait for it…a Puckerman! Except we’ve all known that for months. Puck #1 doesn’t know about his existence yet, but I’m sure he’ll show up soon for some brotherly bonding time.

Marley auditions with “New York State of Mind” and in the only instance of the Ohio/New York split sort of working, it’s turned into a duet with Rachel who’s singing the same song at NYADA. Marley’s perfectly fine here. I can see why she’d get into the glee club after this audition. The only problem is that Rachel is amazing. This should have been a Lea Michele solo because she completely slaughters this song. Glee does this thing a lot where it likes to be really obvious about things, like having The New Rachel sing a duet with The Original Rachel to show how great they both are. Except it backfires here because all it does is show that they shouldn’t be trying to find a new Rachel. The Original Rachel is still on the show going to college, meeting new dudes, and owning Billy Joel songs so they should stop trying to replicate her.

Like I said, Marley’s the only one who makes it into the club despite needing three more members to compete at Sectionals, let alone win. Even though the Glee executives have crowed Marley The New Rachel, Artie decides to give that title to Blaine. It’s kind of a random choice based on the “Call Me Maybe” audition alone. But, if we’re basing it off past seasons he’s actually the most logical choice – he already has leadership experience from The Warblers, and to Finn’s chagrin consistently stepped up in New Directions last year.

  • Chaya

    I really like Rachel. I think they probably should have just given Lea her own show. Or maybe a movie to tie up the end of her story and left it like that. Yeah, I like that idea. A Rachel goes to NYADA and gets onto Broadway movie with all the old Glee clubbers in it. Then we could have just moved on.

    That being said, It’s ridiculous that they are trying to put in a “new Rachel”. They have this great opportunity now with the Glee club to change its direction (pun intended) with a male lead or maybe a female lead who isn’t a brunette belter. We just got finished with watching three years of Lea (who ha an absolutely amazing voice) belt out a slew of hits, why not switch it up. Yes they need new members in the Glee club, but they should be looking for something different. Since they’ve always had a thing for Spring Awaking alums it would have been awesome to see a folky sultry singer like Lauren Pritchard come onto the scene.

    Overall, I found myself bored for most of the episode except for the stuff in NY that didn’t involve Kate Hudson. I mean Kate Hudson eeewww, eeeww, eeewww

    • http://twitter.com/SarahKHansen S.K.Hansen

      I actually loved how they used Kate Hudson. I totally bought her as an F’d up drunk dance teacher. They didn’t make the focus of the episode about her, like they did with Gwyneth Paltrow. This is a huge improvement. Glee is learning.